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DICK VAN DYKE — Chitty Chitty Bang Bang (1968) dir. Ken Hughes
#now thats a dilf#bigscreensource#classicfilmedit#classicfilmblr#filmgifs#dick van dyke#chitty chitty bang bang#1960s#film#old hollywood#movie musicals#classic musicals#musicals#my gifs#my edits#filmedit#moviegifs#classic hollywood#movieedits#caractacus potts#mine
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CHITTY CHITTY BANG BANG (1968) dir. ken hughes
#chitty chitty bang bang#caractacus potts#truly scrumptious#dailyflicks#bigscreensource#filmtvcentral#filmedit#moviegifs#fyeahmovies#cinemapix#mine#mine: gifs#mine: misc#movies
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You know who I never see when talking about ‘hear me out’s?
The child catcher from chitty chitty bang bang
I cannot be the only one
#he’s so fruity#I love a little hat#I am powerless against a little hat#I’m pretty sure he has a whip#he’s so CREEPY#hear me out#hear me tf out#chitty chitty bang bang#personal shay stuff
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the child catcher
#gif#chitty chitty bang bang#robert helpmann#child catcher#1968#film#horrifying#monster#nightmare#creep
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Chitty Chitty Bang Bang (1968, Ken Hughes)
11/09/2024
#chitty chitty bang bang#1968#roald dahl#ken hughes#richard m. sherman#robert b. sherman#ian fleming#dick van dyke#Caractacus Pott#sally ann howes#truly scrumptious#Albert R. Broccoli#james bond#Irwin Kostal#Marc Breaux#Dee Dee Wood#united kingdom#europe#united states#Hollywood Los Angeles#1907#vacuum cleaner#television#luna park#Vulgaria#airship#Child Catcher#Class conflict#lullaby
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CHITTY CHITTY BANG BANG 1968
Well, maybe my children like running wild in the street. Did that ever occur to you?
#chitty chitty bang bang#1968#dick van dyke#sally ann howes#lionel jeffries#gert frobe#anna quayle#benny hill#james robertson justice#robert helpmann#heather ripley#adrian hall#barbara windsor#davy kaye
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In Praise of Sally Ann Howes
As I've made it one of the purposes of my blog to share photos and songs and general positivity about the wonderful English actress Sally Ann Howes, I thought I'd make a post to talk in much more detail about all the great things about her and why I adore her so much!
This classy English beauty possessed a highly expressive face and eyes, an astonishingly powerful soprano, a great sense of humor, and the world's most charming laugh. One thing I cannot stop saying about Sally Ann is that she did not and does not get nearly enough credit and recognition for her immense talent and prolific career, and it's precisely for that reason that I'm here to do my part in giving it to her!
This overlong rambling post is a combination of biographical information and my personal fawning over her performances... whatever I felt I most wanted to put out there in the world and what I'd like people less familiar with her to know.
Click on Keep Reading and I'll take you on a journey!
As she preferred to work on the stage and didn't really pursue a film career, the catalog of Sally Ann's work that can still be viewed today is unfortunately small - though you can find almost all of her early films on the internet if you look hard! In her early film days, mostly made before she was able to pursue her true passion of musical theatre, her extraordinary singing talents weren't utilized by the producers at all.
However, we were fortunately blessed with exactly one musical film role from her, and it's an iconic one: the aptly-named role of Truly Scrumptious in Chitty Chitty Bang Bang (1968), the golden-haired, golden-hearted candy heiress who falls in love with and eventually marries Dick van Dyke's character Caractacus Potts after joining him and his children on a madcap adventure. She's a sweet, intelligent ingenue with hidden depths and one of my favorite sorts of character arcs - the uptight, lonely woman who becomes more and more warm and open as she discovers newfound freedom and joy in life and falls in love.
There is something about Sally Ann that just glows in every scene of Chitty, and it's not only that bright blonde hair! The way she widens her eyes sometimes, the way she raises her eyebrows, her gentle and soft presence in the happiest scenes, and the particular airy lilt she has to her speaking voice are all so distinctive and appealing, and I can't take my eyes off her. And her smile! When I say she glows it's barely even a metaphor, the woman just emits light.
(Funnily enough, I started to realize that many of the laudatory quotes I've found about her also refer to her in this way, like this quote from a 1965 TV Guide article, from playwright Sidney Kingsley: "She's luminous as an actress. I mean that literally. In Brigadoon she really lit up the stage.")
For me, I'm weak for any actress who can do the defrosted-ice-queen trope so incredibly well. Truly starts out as closed-off and prim, and nearly reverts to that state when she and Caractacus have a Big Misunderstanding near the end, but in the scenes where she's happy and carefree, the warmth just radiates off of her.
She also has the most adorable chemistry with Dick van Dyke in an annoyances-to-friends-to-lovers relationship that absolutely shaped my young brain. Whenever Sally Ann and Dick glance at each other, whether with irritation and frustration early in the film or with warmth and affection later on, their chemistry is obvious and natural, and there's so much expressed in each one of those glances. One has no difficulty believing that these characters are going to be very happily married.
(Here's a cute on-set interview where she talks about, among other things, how easily she and van Dyke clicked.)
While I acknowledge that the character of Caractacus Potts was absolutely originally planned to be an actual Englishman, Dick van Dyke played him with an American accent, and to me they will always be an adorable English-American couple. It's a whole part of the charm of this pairing to me!
Sally Ann also had a great relationship with child actors Adrian Hall and Heather Ripley who played Jeremy and Jemima Potts, and did her best to help make them more comfortable and happy during the many very long days on set. Having been a child film star herself, she knew a great deal about how difficult and alienating it could be. The genuine affection the three of them shared is obvious in their scenes together, especially in the extremely adorable "Truly Scrumptious" number, and it really makes the developing mother-child relationship between the characters so believable.
The beach scene, where so much of the relationship between Truly and Caractacus and the Potts children is developed, is incredibly cute and heartwarming, and a lot of that rides on Sally Ann's performance and how her previously prim-and-proper character shows herself to be warm and loving, once she (literally) lets her hair down. We've already seen how happy the Potts family is together; now we see how Truly fits in perfectly and makes them all even happier.
Look at her! Literally glowing!
(One thing I should mention: I think both the plot and the love story of CCBB are greatly improved if one just treats the "dream sequence" as real events, which was possibly the original intention anyway, so just note that is always the perspective I'm coming from here. It's the only way to make some things make sense and for the characters and their relationships to fully develop.)
"Lovely, Lonely Man" is Truly's big solo moment, and was probably the least comprehensible part of the movie to me as a kid (lol), but is now indisputably one of the very best parts to me as an adult. It's an exquisitely beautiful love song, especially the bridge, and I somehow love it more and more every time I rewatch it. Sally Ann's dreamy, graceful movements and the way the whole scene is shot make her look like a princess, and the slow build of the song is masterfully done. She has this distinctive crisp way of articulating her words while singing, especially the closing consonants like N and M, that I just love to listen to. The string section and the building countermelodies are so beautiful it makes me want to weep. Everyone involved in creating this scene and song deserved an award, I'm being so serious. While it's not the highest of soprano songs and doesn't fully show off Sally Ann's astonishing range, she shows an incredible amount of vocal control here through the many diminuendos and crescendos, and she's mesmerizing to watch and listen to. One of her "glowiest" scenes, for sure!
While I've seen people call this song irrelevant to the plot, I strongly disagree - the romance is part of the plot, of course, and while I didn't fully understand the meaning as a kid, this song establishes how much Truly's outlook on life and hopes for the future have already changed since meeting Caractacus, and how much happier she is with the poor Potts family than she's ever been in her life of luxury. Plus, now we know for certain that she's head over heels for Caractacus, but he doesn't know... increasing the dramatic irony of the pining and yearning to follow!
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In the reprise of "Hushabye Mountain", which was sung in a much earlier scene by Dick van Dyke alone, Caractacus loses the will to continue the song because he's overwhelmed with emotion thinking of his children being held captive. Truly comes in to aid him with the final verse - another pivotal moment in the developing romance - and Sally Ann's singing here is nothing short of breathtaking.
And of course, I can't neglect to mention the "Doll on a Music Box" number, where Sally Ann, who was not a trained dancer and in fact considered herself to be "appalling" at it, performs an incredibly precise, incredibly impressive clockwork song-and-dance number while on a spinning turntable! She practiced it so well that she managed to successfully complete the shot in a single take, prompting the stage full of extras to burst into applause.
This is another important character moment for Truly, though it's disguised in a diegetic performance: though it's another thing that went over my head as a child who only got to see the movie once, the lyrics about being trapped up on a music box and longing to be freed by love pretty clearly symbolize how trapped the real Truly's high-society life makes her feel, and how she yearns to break free from class restrictions and live happily-ever-after with Caractacus, as it's only with him and his family that she really feels free.
Then there's that incredibly warm romantic look that Truly and Caractacus share at the end of the song when she silently acknowledges the love confession he's just made while singing in counterpoint with her, though they're still in a dangerous situation and can't give themselves away by appearing too human and breaking their disguises... sadly this vital moment is cut off on all the Youtube videos of the scene I can find, because none of the people who clipped it understand that that's the whole point of it all, apparently. But here's a gif!
The character of Truly doesn't exist at all in the original (quite different) book by James Bond author Ian Fleming - surprising, I know, given her name! - and, honestly, the fact that Truly and the romantic subplot of this movie exist are why it had such a strong impact on me as a child, and very much why I fell in love with it again as an adult. Even though the score is wonderful anyway and the story is charming and magical, I can confidently say that I would not have become as completely enchanted or had such a strong desire to revisit it again and again if there'd been no Truly and no love story. The fact that Sally Ann's performance makes Truly so loveable is, obviously, a pretty crucial factor there.
Sally Ann's delivery of "Well, Mr. Potts... now you'll have to marry me!" after Caractacus kisses Truly... that slide from prim mock-outrage to the playful, warm, you-can-hear-the-smile-in her-voice conclusion is flawless. Not even exaggerating when I say that this was the moment that made me into a hopeless romantic as a 9-year-old child. Sure, this wasn't the first movie I'd seen where two people fall in love and live happily ever after, but I distinctly remember that this was the first romance story that had me in a giggling, kicking-my-feet, "I ship it so hard" state of mind. And after revisiting it as an adult for the first time last year, I have confirmed that yes, child me already had great taste in fictional romances!
Oh, I could say so much about the difference in her body language between the two scenes where Caractacus carries Truly out of her car that's become stuck in a pond. The first time, Truly is affronted and extremely embarrassed by the situation, holding herself so stiffly and awkwardly to avoid an accidental embrace that she causes him to nearly lose his balance and drop her. The second time, when they're in love and they know it, she snuggles right up into his arms without hesitation and it's the cutest thing ever. Sally Ann was 5'6" but looks so tiny in that scene!
(And that kiss! Maybe I'm getting off-topic here in terms of strictly focusing on Sally Ann's contributions, because Dick van Dyke deserves tons of credit for making this kiss so good... but wow, the kiss. Several times I have called it "the Most Kiss they could have gotten away with in a children's movie." Again, giggling, kicking my feet etc.)
While Truly's costumes and hairstyling are rarely historically accurate (the film is set around 1910), the stylized nature of her fashion is iconic and memorable in itself. Sally Ann also completely pulls off playing a fresh-faced ingenue who is 12+ years younger than her actual age - and I do wonder if the aging-down of Sally Ann is at least part of the reason why Truly wears her hair loose throughout most of the movie! Either way, it works perfectly and I was shocked when I first learned how much older she was than her character. (If you watch her in The Admirable Crichton, where she is also in Edwardian costume and was closer to Truly's actual age, she really doesn't look all that much different. If anything, I think she looks even more glowingly beautiful in Chitty!)
Also, as for Truly wearing her hair down... it may just have been an intentionally anachronistic stylistic choice, but in-story, I think it actually contributes to her character by showing a willingness to flout convention and pursue whatever will make her happy instead of what's expected of her, which happens to be a key theme of her character arc.
Another thing that led me to adore Sally Ann as a person as I learned more about her over the last year: in the 1960s, she appeared as a panelist in quite a few episodes of the game show To Tell the Truth (as well as a few episodes of Password), and these can be found on Youtube. I really adore how her personality shines through - she's unfailingly bubbly, witty, self-deprecating, and a bit quirky. Just listening to her speak is a delight and she has one of the best laughs I've ever heard. Here is one of my favorite little moments that I clipped.
By all accounts, she was a delightful person to know and work with, witty and clever, very professional, and very serious about her craft. She also always maintained a great affection for and pride in Chitty Chitty Bang Bang and her role as Truly, which is always a wonderful thing to know about an actor in a beloved role.
Another bonus: here is a super charming interview with her after a backstage disaster at What Makes Sammy Run? on Broadway.
She was also, along with Twiggy and Diahann Carroll (as Julia Baker), one of the first three celebrities to have her likeness made into a Barbie doll.
Two of her earlier films I recommend are the comedies Fools Rush In (1949) and The Admirable Crichton (1957), if you can find them (hint-hint, you can.) You may also be able to find the 1966 TV movie of her reprising her Tony-nominated role of Fiona in Brigadoon with Robert Goulet, and although I feel like the oddly close-up way the film was shot kinda does a disservice to the actors at times, it's still amazing to be able to see and hear her in a role she performed on Broadway.
Richard Rodgers once called Sally Ann "the greatest singer who ever sang on the American musical stage." Now, I don't quote this to claim this superlative as some kind of objective fact. If you know anything about me, I am very, very strongly opposed to pitting women against each other and all the Golden Age sopranos are absolute queens who deserve crowns, no matter how much mainstream success or present-day name-recognition they have/had. I just think it's phenomenal that she received such high praise from a man who worked with many of the best musical theatre singers who ever lived... and to think, many people today have never even heard her voice. Without her performance as Truly Scrumptious, it's possible almost nobody would in the future! I am so glad that Sally Ann's lasting legacy was ensured by such a beloved film role.
Sadly for us, many of the theatrical roles which she originated (and thus, for which cast albums featuring her exist) were in shows that either flopped quickly or at least did not enter the theatrical canon, so she never achieved the level of mainstream recognition she clearly deserves. But Sally Ann also played such legendary and challenging roles as Eliza Doolittle in My Fair Lady, Fiona MacLaren in Brigadoon (for which she received a Tony nomination), Maria Rainer von Trapp in The Sound of Music, Anna Leonowens in The King and I, and, much later, Desiree Armfeldt in A Little Night Music. She received great acclaim for all of these performances and, judging by what we know of her process on My Fair Lady, was excellent at making roles distinctly her own and never merely imitating another performer.
Even in her iconic original role of Truly Scrumptious, you don't get to hear the true full power of Sally Ann's extraordinary soprano. For that, I highly recommend listening to "Another Time, Another Place" from Kwamina (1961), and "Something to Live For" from What Makes Sammy Run? (1964). I'm always sad that we don't have any recordings of her in her "fiery" star turn as Eliza Doolittle in My Fair Lady, but you can at least hear her do a Cockney accent, be silly, and sing "With a Little Bit of Luck" with Bing Crosby here!
If it weren't for the enduring success of Chitty Chitty Bang Bang, few people might have even heard of Sally Ann Howes today, and that would be a terrible loss. I cannot overstate that I am so grateful that we all know who she is because she played this role and we get to see her give this radiant performance of a character that's all her own. Maybe this sounds strange, but I think the fact that this was Sally Ann's only musical film role (and the ONLY role most people will ever see her in) makes it even more precious, and makes everything she brings to the character that much more distinctive and unique and special.
Both for all of the talent and charm she brings to the role itself, and everything else that I and many other fans have been able to learn of so much of her otherwise-obscure work because of it, the world is incredibly lucky to have the lovely Sally Ann Howes immortalized as our Truly Scrumptious, and I wouldn't have it any other way 💖
#*mic drop*#sally ann howes#chitty chitty bang bang#and that's why you should vote for... wait there's no poll involved? I may have gotten carried away ;)#ok so I doubt anyone will even pay attention to this post but if you are going to tag or comment on this BE KIND AND POSITIVE ABOUT HER#like this is obviously a labor of love on my part here... don't be weird or backhanded. I don't need to hear how you disagree or whatever#and no pitting women against each other on my posts I am so serious#this is a fan post! this is a stan post! this is a celebration! do not derail!#I feel like I need to sprinkle holy water on this post before I release it out into the world#oh Sally Ann we're really in it now#also parts of this are poorly written I know. it's literally just an infodump about my Special Interest English Lady what do you expect lol#the switches between formal tone and informal fangirling are intentional btw#this is what I'm using my degree for apparently#I know I mixed in a lot of character/story analysis here and maybe that's slightly off-topic from lauding her performance but hey#it's not like I'm getting graded on this. and I mean you can see these things in her character BECAUSE of her performance#take my hand. love her with me. life could be a dream#you know the lyric in Hamilton - 'I wrote my way out'? that's what this was for me. I wrote my way out of a mental health crisis with this#when I came up with this idea I was going to save it for her birthday but that is sooo far away. so I'll post now and reblog it then!#I'm shocked tumblr can even handle whatever I'm trying to do here#I wouldn't have put SO many photos except that I needed to use multiples so I could make them smaller!!#my original post#long post
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So through no fault of my own i now have a the Chu-chi face musical number stuck in my head with Cazador and Astarion in the place of the barron and baroness from chitty chitty bang bang.
I am too poor to commission rn so heres me hoping someone likes the idea enough to bring it to life for shiggles
#baldur's gate 3#bg3#astarion#astarion ancunin#cazador szarr#astarion x cazador#cazador x astarion#chitty chitty bang bang#musicals#showtunes#commission
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Nadia. I need to know—have you seen Chitty Chitty Bang Bang?
And as a trained singer who is brilliantly skilled with the gift of music, I would like your thoughts. 🤟😘🫶❤️🔥
Yes, I have!
In all honesty, I haven’t seen it in many, many years, but this was a childhood favorite musical of mine, along with Phantom of the Opera and Evita!
I had to watch some clips from YouTube to refresh my memory of the singing, and I have to say that of the main cast, the one with the best voice was Sally Ann Howes, who played Truly Scrumptious.
She sang with an old-fashioned musical theater style, that lofted semi-classical music approach, and a Trans-Atlantic accent, without being heavy and overdone, and it was just beautiful.
The children, Jeremy and Jemima, played by Adrian Hall and Heather Ripley, respectively, sang with beautiful, clear, children’s voices.
It walked that fine line between vocally over-trained and trained enough.
You see, training children to sing, is a very, very delicate task.
Because children have many, many physiological limitations to what they can do safely.
Because, if you make the mistake of overly training a young voice, you run the risk of them never being able to sing again when they’re older.
However, there are some rare exceptions, the one percent you can take just that much further (full disclosure, I was part of that one percent, so I know), but this takes very detailed knowledge of the overall limitations of a child’s voice, and the limitations of your particular student.
The best thing you can do for a child student is to let their voice be that of a child’s; more technique can come later.
Now, as for Dick Van Dyke…
…yes, he can sing, but his voice is not the most melodic voice in the world.
His singing somewhat belongs to the, as I and my family call it, Rex Harrison school of singing—ergo, speaking on pitch.
The main example of this is in the song, “Hushabye Mountain”, which is one of my favorites in the whole movie.
Compare the way Dick Van Dyke sings it to the way one of my favorite Broadway performers, Raul Esparza, sings it.
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If he looks familiar, it’s because he played Rafael Barba on Law and Order: Special Victims Unit.
(You have to listen to his rendition of Sondheim’s “Being Alive” from Company, it’s ART)
There is a vast and marked difference in the way it’s sung.
Yes, he sings it in a more contemporary musical theater style, but the melodic line is more fluid and musical.
There is absolutely no doubt that Dick Van Dyke can sing and dance, and he’s a darned Legend, capital L, but I am very sorry to say; I think that vocally, Raul Esparza did a better job.
I know it might be controversial, and a great deal of people may come at me, but my honest opinion was asked, and this is it.
I’m so sorry!!
*runs off to hide under a rock*
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Major Mint
Grandpa Potts
There’s no theme. Nothing to see here.
Funnily enough, I just recently discovered Chitty Chitty Bang Bang gets played around this time of year, so they’re both Christmastime movies.
#merry christmas#happy hanukkah#feliz navidad#joyous kwanzaa#joyeux noel#barbie#nutcracker#chitty chitty bang bang#happy yule
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Lee Hyori “H. Logic” Sayclub Avatar gif
#cute#kawaii#anime#2000s#cyworld#sayclub#2000s web#sayclub dolls#pixel gif#pixel aesthetic#2nd gen kpop#1st generation kpop#1st gen kpop#kpop#hyori#lee hyori#chitty chitty bang bang#pixel art#pixel sprite#pixel graphics#pixelated#pixel animation#pixel illustration#cute pixels#2010s nostalgia#2010s kpop
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Watching Chitty Chitty Bang Bang with my boy child. After a recent binge of James Bond movies, his response to seeing Desmond Llewelyn was an enthusiastic "MOM that is Q!"
Oh kid, just wait until Goldfinger shows up...
#the family that weirds together#chitty chitty bang bang#gert fröbe#desmond llewelyn#james bond fandom#ian fleming#dick van dyke dancing is divine
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Caractacus Potts and Truly Scrumptious from Chitty Chitty Bang Bang.
“You know something else? The kids were right, there is nothing ridiculous about the idea of getting married!” “Who ever said there was?”
#chitty chitty bang bang#chittyedit#dick van dyke#sally ann howes#sallyanhowesedit#mine#sara makes things#sara makes stuff#my edit#my edits#1k#2k#3k#4k#my stuff#musicaledit#filmedit#*#otp: honest truly i do#ilovethem#I LOVE THEM SO MUCH YOU HAVE NO IDEA
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Who else was terrified of the Child Catcher when they were a kid?
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Back in my GTA era <3 Needed a lil break from my sim world.
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